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To access it you can go to the nature reserve below Anatot, St. The palace was built on both sides of Wadi Qelt which during the winter rains flooded and made the palace appear to be floating on the water. This photo was taken of Wadi Qelt from near the archaeological remains of the palace, looking east as it flows to the Dead Sea. Clicking on the image will display it larger. Please share this post with your friends by clicking on the icons at the end of this message.

I guided a group today on my Herod the Great Tour visiting Herodium and then the monumental Herod exhibit at the Israel museum. This photo is one I took from the top of the man-made mountain at Herodium looking east towards Jordan.

Shmuel Browns, a tour guide and expert on Herodium who helped Netzer excavate the site as a volunteer, said he was awed by the meticulous reconstruction, particularly of a large basin adorned with several heads that was found in pieces in two disparate places at the site, now an Israeli national park.

Browns said. Browns added. While excavating Lower Herodium, archaeologist Ehud Netzer found marble pieces of a wash basin in the bath-house, including a pair of Silenoi heads — the companion and tutor of the wine god, Dionysos. Imagine this fragile and heavy object making its journey from Greece to Rome to Judea and the bath-house at Herodium. The conservation staff of the museum painstakingly reconstructed the basin with its ornate decoration. Though it is not known to what degree Herod observed traditional Jewish practices, he appears to have respected them.

Scenes of nature through a painting of an open-shuttered window, itself a painting hanging on the wall. Herod dictated the images in the paintings as a lead-in to the discussions that Herod was interested in having with his guest. It gives us new insights into the very complex figure that is Herod, his determination not be constrained by nature, topography or materials and his consummate grasp of real politik.

Each day we rose before dawn and the unrelenting desert heat to continue digging east of the monumental staircase. In the summer of , after Professor Netzer had discovered the base of the mausoleum, I volunteered at the archaeological site at Herodium. Among seas of pottery shards, we dug up baseball-sized stones hurled by a Roman catapult ballista. Scanning with a metal detector, we found tiny, encrusted bronze coins, from the period of the Great Revolt.

We uncovered a few well-carved stones strewn about — an egg and dart pattern, two five-petaled flowers from a decorative frieze. At Herodium last week, these pieces were not to be found. The first image at the entrance to the Herod exhibit at the Israel museum opening today is neither architecture or artifacts, but the Judean desert — the site where Herod built his monuments is important.

The original frescoes with their intense natural colors were removed from the palace and moved to the museum. O pus recticulatum is a technique for strengthening walls to resist earthquake damage. The museum displays floors from Cypros and Herodium laid with a Roman technique, opus sectile.

Natural-colored stone tiles are cut in geometric shapes and laid in repeated patterns. In other cases, the floors are mosaic — two mosaic floors from the bathhouse at Lower Herodian, one in an opus sectile pattern and the other geometric shapes with pomegranates.

The third room is a reconstruction of the loggia, the VIP box from the Herodium theater with its unique secco wall paintings. According to this Roman technique, paint is added to dry plaster compared with the more usual fresco — fresh, wet plaster technique. The exhibit is laid out faithfully to the site at Herodium where the loggia and the mausoleum flank the staircase. At the museum, we move through the viewing platform toward the full life-size reconstruction of the top-level of the mausoleum.

The very decorative stones I excavated at Herodium are in their proper places in the frieze. A microchip was attached to each stone of 30 tons that were transported from Herodium to the Museum — as an aid to tracking and assembly. The structure is so heavy that the floor had to be specially reinforced. In , while Netzer was excavating, he came upon a water cistern in the mountain.

He was puzzled that the cistern had been reinforced to support a great weight. Unbeknown to him, he had come within a meter of discovering the mausoleum.

Why would Herod have insisted that the mausoleum be built on top of a cistern? According to the curator, Dudi Mevorah, Herod chose this precise location because it is best seen from Jerusalem. Once the mausoleum was complete, Herod dismantled the stage and buried his theater in order not to distract the eye.

Netzer conceives a colossal three-story monument — 25 meters high. The first level is cube-shaped — only the base exists and can be viewed at Herodium halfway up the mountain on the north side. The second level is a tholos , a cylindrical structure with Ionic columns and crowned with a conical roof. Netzer found its shards — the stone box had been smashed in antiquity and reconstructed by museum staff. Made of reddish limestone, mizzi ahmar , from the Arabic, this is very hard stone and would have been difficult to carve — perhaps that made it all the more appealing.

Originally, Netzer suggested that the side panels of the sarcophagus were decorated with five flower medallions. There are sarcophagi like that, one in the Louvre taken from the Tomb of the Kings, one outside the Islamic museum on the Haram el-Sharif.

Based on the museum reconstruction, it seems that these panels are plain. Beside the mausoleum, the other two sarcophagi that Netzer discovered are displayed. The other sarcophagus, displayed for the first time, is completely plain as if waiting for the stone-carver. So they went eight furlongs [a mile, per day] to Herodium; for there by his own command he was to be buried.

And thus did Herod end his life. From 37 B. He masterminded and engineered the Jerusalem Temple — among the magnificent temples in the ancient world, the fortress-complex at Masada — the most-visited site in Israel, Caesarea — in its day, the largest all-weather harbor built in the open sea, imposing cities, aqueducts, and finally, Herodium — the most spacious palace known to us in the Greco-Roman world before the common era.

A giant who moved mountains, Herod was respected, feared, and despised. Reckoning with Herod is indispensable to interpreting the historical and material landscape of Israel. To show even this tiny sampling of his massive production, Herod fittingly required the museum to reinforce its very foundations. The Jewish Roman historian Josephus Flavius records extensive narrative about Herod — nearly a century after the events.

Visitors to Caesarea may have noticed the podium where Herod built a Roman temple to Augustus. We know about it from the writings of the Jewish Roman historian Josephus:.

In the 6th century a martyrium was built in its place and in time the site was occupied by a mosque, a widespread practice when one group supplants another. In Sebaste , the Greek equivalent to Augusta, Herod built a Roman temple to the emperor in fact, part of a marble statue of the emperor was uncovered in excavations of the site.

We know about the temple from Josephus:. Josephus continues and reports on a third temple built to Augustus but this time he is less clear exactly where it is located:. In the mountains here there is a beautiful cave, and below it the earth slopes steeply to a precipitous and inaccessible depth, which is filled with still water, while above it there is a very high mountain. Below the cave rise the sources of the river Jordan. There are few remains there so it is hard to ascertain if the structure was a Roman temple.

Last week I visited the archaeological site Omrit about 4 kilometers southwest of Banias. The site was first exposed by a brush fire in the summer of and excavations have been ongoing for ten years. Just as we crossed the stream to enter the fenced area of the site we came across a tangle of blackberries, ripe and delicious.

In Roman times Omrit stood just south of the Scythopolis -Damascus road, a main route. Excavations uncovered a prostyle-tetrastyle temple measuring The height is estimated to be 22 meters. Similar temples were found at Pula , in Croatia, at Nimes , in the south of France and Pompei, in Italy; however, there were also variations in the model.

Based on pottery and coins found the temple has been dated to the end of the 1 st century BC. In a second phase, it was enlarged to a peripteral plan with 26 columns probably by one of the Agrippas or by Emperor Trajan at the end of the 1 st century CE.

The temple was destroyed by the earthquake of CE and a small chapel was built of stones in secondary usage at the beginning of the Byzantine period. Besides the architectural elements of the temple, bases, column drums, Corinthian capitals , architraves, friezes and cornices which constitue the bulk of the major finds, fragments of statuary and inscriptions were also recovered, one which may make reference to Aphrodite.

A marble statue was found in the fields at the foot of nearby Tel Dan on display at the Ussishkin museum which may have stood in the temple at Omrit.

Like this: Like Loading Related articles Monumental enough for Herod the Great? The Israel Museum. My article with Bonna Devora Haberman in Jerusalem Post : So they went eight furlongs [a mile, per day] to Herodium; for there by his own command he was to be buried.

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A myth emerged that during the rebuilding of the structure after the burning of Washington, white paint was applied to mask the burn damage it had suffered, giving the building its namesake hue. The current letterhead wording and arrangement The White House with the word Washington centered beneath goes back to the administration of Franklin D. It has been the residence of every U. In May , New York began construction of Government House for his official residence, but he never occupied it. The national capital moved to Philadelphia in December The July Residence Act named Philadelphia, Pennsylvania the temporary national capital for a year period while the Federal City was under construction.

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In this lecture, we turn our attention to the Italian Peninsula, where a distinctive material culture emerged from an ethnic group or consolidated groups we call collectively the Etruscans. We recall that in antiquity, Archaic Greek civilization had established colonial outposts in southern Italy and Sicily, while another ancient power, the Carthaginians, controlled Sardinia and the coast of north Africa. There are scattered Prehistoric sites around Italy, so the question of whether the Etruscan culture evolved from these indigenous people or whether it was imported from afar a Near-Eastern origin still remains a topic of debate. The Etruscan language, for instance, has a completely different structure from Indo-European languages. Nevertheless, there was considerable migration and mixing going-on throughout antiquity, and the most probable model is that the indigenous Italian peoples mixed with groups which landed and settled their own communities, keeping some original elements like the language while introducing customs and artistic conventions from the wider world of antiquity from the late Bronze Age through the Classical period. Perhaps the most well-known distinctive facet of Etruscan artwork is its depiction of co-ed banquet scenes.

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